![]() But it's i9000 his cautiously curated soundtracks that tell a story withinthe story. ![]() The ethical of the story in Quentin Tarantino'h movie Kill Costswill be easy: there'beds nothing like revenge. Luis Bacalov's “The Grand Duel (Parte Prima)” will be fittingly melodramatic for this tale, as will be Zamfir's campy panflute cover of James Last's “The Lonesome Shepherd,” which seems like the theme melody to The Great, the Poor and the Ugly. Where Tarantino's i9000 past soundtracks abounded with twangy surf guitar tracks, here he leans more difficult on the Ennio Morricone-inspired spaghetti traditional western instrumentals to catch a traditional gunfighter feel. Likewise, Charlie Feathers' rockabilly boot-stomper “That Certain Female” perfectly taps into the cocksure swagger of antagonist Costs (played by David Carradine). And there's i9000 really no much better method to set the color than by starting with Nancy Sinatra's torch melody “Bang Hammer (My Baby Shot Me Down).” Sinatra's haunting edition of Sonny Bono's melody might lead the listener to think that Tarantino centered the plight of his protagonist bride-to-be (performed by Alguma Thurman) on this track's riveting narrative. But it's his properly curated soundtracks that tell a story withinthe tale. The ethical of the tale in Quentin Tarantino'beds movie Get rid of Billis easy: there'beds nothing like revenge. ![]()
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